Showing posts with label M83. Show all posts
Showing posts with label M83. Show all posts

Thursday, December 20, 2012

Best of 2012, Part 2 (Notable Bands, Albums and Live Acts)

Sometimes a song tells only part of the story.  For instance, Alabama Shakes had a huge song this year with their  breakout  "Hold On".  It is a terrific song on a solid debut record.  The story goes beyond that.  Last year at this time Alabama Shakes was, in reality, unknown.  Within a year they are now Grammy nominated stars selling out concerts in minutes.  Will they have staying power?  How do you follow the success up when you start so high?  Every generation has its One-Hit Wonders.  Who is 2012's?

With that in mind here is some new talent that appear to have potential for more.  Apologies to Gary Clark Jr and Imagine Dragons, Passion Pit to name a few.  There is only so much time in a day and I failed to see those acts live or give their records an intent listen.  Some respected peers have said good things if it means anything.

Grouplove:  "Tongue Tied" blew up this summer and with good reason.  It is pure, pop magic.  It's that one of a kind song that brings us all together.  Never mind they used it to sell Apple products.  This group of hippies have the classic back story too.  They met at an artist colony in Greece.  Hannah Hooper wasn't even a musician.  She paints (see the groups cover art.)  The boys thought she might be able to sing.  Good call.  In March they opened for Young the Giant at Terminal 5 and destroyed it.  The headliners paled in comparison.  A few months later they sold the place out with top billing.  the band has such a positive energy you can't help root for them.  And expect bigger things!

Gotye:  Psy's "Gangham Style" notwithstanding, this lanky Aussie had the song, and video, of the year (and decade so far.)  Many parodied, often covered, Gotye lays out the blue print for a break up song.  You listening Taylor Swift?  March was a good month in the otherwise mundane life of Terminal 5.  Gotye and his band of merry makers showed precision and care in their flawless show there.  With other gems like "Easy Way Out" and "Eyes Wide Open", Gotye is anything but a flash in the pan.  He's so darn likable too!

Naked and The Famous:  Until recently New Zealand's finest musical export was the comedy duo The Flight of The Conchords.  Granted, this duo's debut is a few years old.  However 2012 saw them find mainstream success headlining larger venues and fine tuning their live act.  This was one of the more refreshing and exciting live shows I was witness to this year.  Sometimes going to an event with no expectations and/or limited knowledge can be a real treat.  Naked and The Famous "Girls Like You""Young Blood" and "The Sun" are but a few highlights from their debut record.  They are recording the sophomore effort another World away.

M83:  Frenchman Anthony Gonzalez has been performing and recording under the name M83 for over a decade.  His tremendous LP Hurry Up, We're Dreaming is, like Naked and The Famous, hardly new by alternative standards.  But the album kept building steam and I was fortunate enough to catch them/him live this year too.  It was an absolute blast.  Like Gotye, Gonzalez has an eye (and more importantly an ear) for detail.  You have heard several of his tracks in commercials, tv shows, and films.  Here them in their entirety here:  "Midnight City"  "Steve McQueen"  and "Intro"


Walk the Moon:  Oh the power of a hook, and a charismatic lead singer sure helps too.  "Anna Sun" propelled these Ohio rockers into the mainstream from obscurity.  Their self titled album proves they are capable of more than one hit.  Anyone else think they were the Foster the People of 2012?  OK, maybe not that big, but quite similar.  For instance:  "Jenny" or "Next In Line"

Chappo:  They played Mercury Lounge the other night in what was to date their biggest show (supporting their debut record Moonwater.)  They played a show in Brooklyn that defied explanation during the summer and a riveting record release party last winter.  The songs are as fresh and original as the band odd and irreverent.  Unsure what kind of future, if any, they might have.  But you could do a lot worse getting on board with them.  "Come Home"  "Hell No"


Grimes:  It is fashionable to put Clare Boucher, stage name Grimes, on a best of list.  Her album, Visions, is on plenty of them.  Her October NYC shows were all packed with young hipsters dying to dance, do drugs, and let loose.  It is part dance, part theatre, and a whole bunch of fun.  Open your mind and imagination because this is not for everyone.  After all I only managed about 5 songs at the show I saw.  It's ok to dig it from afar though.  No one is watching you, trust me.  "Oblivion" and "Vanessa"

Jack White:  Thanks to the wonderful people at Webster Hall (you know who you are) I was able to see Mr White in this intimate setting.  There are few working musicians today who can blend so many genres seamlessly.  Fewer still who can play guitar like White.  He played a set with an all girl band and then an all guy band.  2 + hours of rock and roll fantasy.  Here is the video, directed by Gary Oldman: Jack White @ Webster Hall, AMEX Unstaged

Brandi Carlile:  This little firecracker can flat out perform.  Her voice is angelic and powerful.  Her personality is infectious and endearing.  And her songs, a rich tapestry of love, life and everything in between, are well written and beyond worthy.  Unsure why she doesn't have the success say, Melissa Etheridge had many years ago.  But this much is certain, she should.  "Raise Hell" live from Craig Ferguson and "The Story" from Austin 2010.  For the record, if "The Story" does not send chills up your spine please check your pulse.

White Rabbits:  Another in a long line of Brooklyn bands that is on the precipice.  There records are good, if not a touch inconsistent.  There live shows however are quite entertaining.  It is a free-wheeling percussion show with a touch of piano and guitar.  Oh, the vocals are solid too.  Just a hard working rock band more than capable of putting together solid music.  "Heavy Metal" or "Percussion Gun"

Enjoy, debate, share and provide feedback.   Part 2 of Best of 2012 can be subscribed to via Spotify here:  2012 Best of Part 2


Concert reviews and/or more detailed info for each act can be found here:

Grouplove
Gotye
Naked and The Famous
M83
Walk the Moon
Chappo
Grimes
Jack White
Brandi Carlile
White Rabbits

Thursday, November 8, 2012

Diversions

Heavy winds, unimaginable waters, gas lines, fallen trees and then a snow storm.  Yet, we are the lucky ones.  The Northeast has been ravaged and the landscape of my youth (Seaside Heights, NJ) and now (NYC) has been forever changed.

As the region continues to rebuild and move forward may I offer a diversion?  That is, let's all take time to forget!  When you wake up tomorrow Staten Island will still be a mess.  They will need your help now, and for years to come.  

Step away from the dour coverage and zone a bit.  You deserve it.  The election is over.  With it, we are free of robo-calls and tedious political ads.  Can this finally be the end of Linda McMahon?  Has Vince given her a camel clutch yet??

Find your favorite audio/visual device and enjoy folks.  Art.  Saves.  Lives.

Here are 10 diddies old and new that have helped me get through the past fortnight.  

Diiv "How Long Have You Known?"  Brooklyn band released their debut album earlier this year.  More of the "New Surf" movement (see: Real Estate, Caveman, et al.)  Dreamy guitar licks and soft melodies are the stars here.  Hopelessly addicted to its charms.  They are part of a great double bill with Canadian rockers Japandroids 12.4 @ Webster Hall.  You really should go.  Tix and info here

Django Django "Default"  British psych-synth act who also released their debut album earlier this year. I hear Thomas Dolby, and Frankie Goes to Hollywood, and Erasure.  The Manchester movement of the 80s is definitely in their DNA.  Goofy simplicity that gets in your head and refuses to escape.

Erasure "A Little Respect"  Vince Clarke is an absolute beast!!   His fingerprints can be found on Depeche Mode, Yaz and Erasure, to name a few.  You cannot mention 80s Brit Synth without including Clarke (and his partner Andy Bell for that matter.)  This is source material for the 80s renaissance we are witness to today.  This is a perfect pop song.

Pet Shop Boys "West End Girls"  I have a soft spot for this one because I do a mean Neil Tennant.  That wispy, exaggerated lisp plays to my strengths.  All that aside this is still one an 80s classic.  Some songs grow stale and boring over time.  Not this one.

M83 "Steve McQueen"  Their NJ show a few weeks ago was a real eye opener and one of my favorite shows of the year.  This track stood out and has been getting frequent plays on whichever device is handy.  Have you joined Spotify yet folks?  If not you should, and then play this song over, and over again.

Imagine Dragons "Radioactive"  Here performed live (a little shaky I might add) on Jimmy Kimmel.  Las Vegas rockers who also have a debut record from 2012.  Everyone and their mother knows their smash hit "It's Time".  The entire record is pretty strong and this second single is proof positive.  Plus I think the folks at Glee will not want to cover it.  That in itself adds some street cred.

Bryan Adams "One Night Love Affair"  For a while there Bryan Adams was a force on the rock charts.  "Cuts Like a Knife" and "Summer of 69" are undisputed mega-hits.  I heard this a few days back and couldn't help think of the Val Kilmer cult classic Real Genius.  This played during the raucous pool party scene when our hero Mitch was busted by Jerry the science prof.  Such good stuff!  "What is that popcorn, I hate popcorn, get it away from me."  Kilmer's Chris Knight:  "Great, now I know what to get you for your birthday."  There are about two dozen lines memorable lines in that film.  How many can you remember from ANY of Judd Apatow's movies?  Where was I?  Oh yeah, this is a good song.

Cheap Trick "The Flame"  A song I probably dismissed when it was released way back when.  It was the bands first #1 single and dominated radio play.  Even though it brings back memories of awkward pool dances and bad skin I find myself digging it.  Power ballads and hair bands were staples of the 80s.  It gets no better.

Def Leppard "Bringing on the Heartbreak"  OK, maybe it does get better.  Before every white kid in suburbia was issued Pyromania this track (off their debut album) was a minor hit.  Sure "Foolin," "Rock Of Ages" and "Photograph" get all the glory.  But don't forget about the single that acted as our Union Jack shirt wearing introduction to them.  Two handed drumming never sounded better.

Avett Brothers "Live and Die"  Good old fashioned, banjo picking, alt country, toe tapping, folk goodness.  These brothers from North Carolina are not for everyone.  If you can't get into this groove I am not sure they ever will be.  It is easy listening, unpretentious fun.  Give it a try.

This blogger hopes everyone reading has been spared from the destruction that has enveloped the Northeast.  We wish you good health, much happiness and the ability to enjoy some music in the most carefree of setting.

Join the conversation.  What songs have caught your attention?  New or old.





Friday, October 5, 2012

M83, Wellmont Theatre, 10.4.12

Sometimes a little theatre, placed at precisely the right moment, can go a long way.  Last night at Montclair's Wellmont Theatre, as the house lights went down, a tiny "alien" appeared center stage.  He had a jawa meets Henson puppet look to him.  He?  Hmm, it might have been female.   As a bass driven synth sound filled the venue he raised his hands and lasers lights beamed from his fingers.  It was silly camp and clearly over the top.  And it happened to be very effective and good clean fun.

M83 was coming on stage.  Be prepared for something just a bit different.  For 90 minutes or so come join the mothership.

It's been over a year now since their song "Midnight City" captured the alt world's attention and as long that M83 has been touring in support of their 6th LP Hurry Up, We're Dreaming.   The time on the road coupled with a strong catalog has suited the band quite fine.  Born from Frenchman Anthony Gonzalez's vivid imagination and attention to detail M83 is a formidable live act.

They say the style is "shoegaze."  You know, "the extensive use of reverb effects and lyrics spoken softly over loud instrumentals."  Gonzalez and his cohorts, brother Yann (guitars/vocals/electric percussion), Morgan Kibby (synths/vocals), and drummer Loic Maurin are a kind of pop/synth jam band.  For this show Jordan Lawlor from NJ band Future Future sat in for Jann.  There are detours within songs highlighted by sly ambient beats that soon explode into drum fills and soaring vocals.  At times it is both melody and chaos.  It's an exercise in futility to really label it at all.  

Although to call it performance art set to a wonderful score might be appropriate.  Anthony Gonzalez has said Hurry Up, We're Dreaming (a monster double album w/ 22 songs) was written as a kind of soundtrack to an imaginary movie.  It's no wonder that several of its tracks have appeared all over films, commercials and television shows.   You most likely heard some M83 in shows like HBO's 24/7,  CSI Miami, Gossip Girl, Project X, ABC's Revenge and Cloud Atlas and this Expedia spot.

The songs are strong on their own.  Put that record on during the day and it will provide ample smiles and soothed nerves.  Pay closer attention to a track or two, most notably "Intro", "Reunion", "Wait," "Steve McQueen"and "Outro" and you might find yourself dreaming of a far off planet, or a lover's touch, or infinite possibilities.

Performed live, with M83's enthusiasm and joy, and the songs are a pure celebration.  A superb light show adds to its overall "other wordly" effect.

The concert was their first one in New Jersey and they seemed genuinely happy to be there.  The only real banter between songs was some awkward shouts of "New Jersey" from A Gonzalez.  It is a time tested tradition to illicit cheers be simply stating where one is.  Where else can you do that but on stage?  Try going into your office Monday morning and screaming "Office!!"  How long before they take you away?

Mostly the band stayed in character, knocked it out of the park, and sent the  (large) smiling crowd on their way.

You can label it "shoewave", or "80's retro," or "synth laced trip rock."  

Or call it what it really is: "rock and roll" (and I like it.)

More on M83:  M83 Official or M83 Unofficial 

Highlights:

"Sitting"  Yann pounded away on some sort of Digital keyboard/cowbell a few times during the night.  His big head of curly hair bounced with him as he frantically pounded away to this fast moving jam Tron would be proud of.  One of their older tracks but fit right in with the newer material.  One of the show stoppers for sure.  A glow stick waving ride if there ever was one.

"Wait"  Who doesn't like the slow, and we mean slow starting track that ends with a huge crescendo.  Bon Iver comes to mind with the first 3 minutes of this one.  The harmonies are outright splendid here.  When brothers Gonzalez and Kibby sang "No Time" it induced goose bumps.  A very powerful synth ballad.  Ridley Scott must have this on his iPod.

"Steve McQueen"  Again, arena filling vocals and an immense beat/vibe.  Hard to stay mellow with this one sending shivers up your spine.  A splendid pop song.





Alien ringmaster starts the proceedings.









Kibby rocked out in a flowing red dress and high freaking heels.   It was a little hot.








Some nice sax moments throughout the night...  notably during "Midnight City".  It had a very St Elmo's Fire and/or Thunderdome Tina Turner shirtless sax guy feel to it.  Totally cool and fit right in.



Jordan Lawlor from Sparta, NJ band Future Future, frantically pounding the synth/drum/whatever the hell it is.





M83 10.4.12 Setlist, Wellmont Theatre