Showing posts with label White Rabbits. Webster Hall. Milk Famous. Danny Come Inside.. Show all posts
Showing posts with label White Rabbits. Webster Hall. Milk Famous. Danny Come Inside.. Show all posts

Sunday, April 15, 2012

Snow Patrol: Terminal 5 is Humbled.

Terminal 5 on Manhattan's Upper West Side is a big venue.  Aside from Madison Square Garden and the Beacon Theatre it has become the premier spot, in both scale and prestige, for established rock acts and those on the rise.  The Naked and The Famous opened there last year and headlined last month.  The Shins will be playing 3 nights there next month.  For any fan of music (within the Tri State area), cutting edge or firmly established acts, the venue has become unavoidable.

Often times an act can get lost in the room.  And that is not to say the room cannot accommodate them.  It might be the talent is not ready for the scale of the joint.  It could be as simple as an engineer having an off night.  You get it, right?  It's a big place so you best bring it.

Last night playing the last of a two night sold out stint at the aforementioned Term 5, Snow Patrol (Gary Lightbody vocals/guitar, Jonny Quinn/drums, Nathan Connolly/lead guitar, Paul Wilson/bass, Tom Simpson keyboards/samples, Johhny McDaid piano/guitar/vocals) did the incredible.  They made the place feel smaller.  They made it intimate.  They made it easy to see how they fill arenas overseas.  Snow Patrol, and in particular their leader/showman/master of ceremonies Gary Lightbody, are true professionals.  If tightly constructed songs played with skillful precision is the bands task, they succeed.

They tour is called "Fallen Empires," like their 2011 album of the same name.  It, like their 5 previous studio releases, mixes soft and sweet with raucous and rock.  Their single, "Called Out in the Dark" is an up tempo pop song with a disco hook.  "This Isn't Everything You Are," one of last nights highlights, is a power ballad that hits all the right notes.  It is the new records "Run" or "Chasing Cars," but with more maturity.  Lightbody howls "There's Joy Not Far From Here/I Know There Is/This Isn't Everything You Are!!"

The feeling of hope expressed with tact by a voice and presence worthy of a bigger stage.  When Lightbody runs the stage and sings, with a voice every beat the equal of any male singer working today, you can't look away...  let alone not hear his art.

He makes it easy to overlook, rather ignore, missing entire lyrics as he did during "Crack the Shutters."  After that stumble he mentioned the story of Mick Jagger replying to a reporter asking "How is it you never forget lyrics."  Jagger's response went something like "Well I wrote them didn't it I?"

Lightbody was humbled he dropped some words.   After all he too wrote his songs (he kidded about how many fewer than Jagger for that matter.)  His thick Irish accent and slim figure might explain his charms too.  The women in attendance were surely smitten.

Snow Patrol might have a smaller catalog than the Stones.  But that catalog is strong.  Quality far surpasses quantity.  And for every notable track, "Shut Your Eyes" or "Take Back the City" for instance, the new material slid right in.

Fallen Empires is not on Spotify yet so the album was somewhat foreign to me.  But a sampling from last night has me itching to find and listen to it all.  "In the End" was a triumphant piece of stroytelling that, like many of their songs, starts slow but delivers a powerful final punch.  Funny hearing "In The End/There Is Nothing More Than Love is There?" sung over three screaming guitars.  The lyrics are all soft and romantic.  But somehow Lightbody paints it with a rock edge.  With all the club/synth/techno acts that have flooded Term 5 recently it was refreshing to hear slow builds end with guitars rather than pounding doosh, doosh, doosh beats.

"The Weight of Love" and the sentimental crowd favorite "New York" were both handled with care and craftsmanship.

A real life rock and roll show on full display.  Add in the effective use of lighting and visuals played on the enormous movie screen behind them and score one for the good guys.  These guys are more than the soundtrack to McDreamy or McSteamy.  Much, much more.

Snow Patrol Setlist 4.14. Terminal 5

Note on Concert Etiquette (or lack thereof):

As mentioned earlier Terminal 5 is a big place.  There are 4 levels of seating including an open roof deck smokers or erstwhile disinterested.  Point is, if seeing/hearing the show is NOT foremost on your agenda there are SEVERAL other things for you to do.  Merch tent?  Check.  Countless bars?  Check.  Lounge seating?  Check.

So why is it every show over the past few weeks has been an exercise in shutting obnoxious drunkards up so we can enjoy the show on stage?

And that does not speak to the bad sing-a-long singers.  That is all good and those folks get a pass.  Sing if you want to sing.  Show your love and do your thing.

No, I speak of the loud, more often than not innocuous conversations between frat boys and/or Jersey girls out for a night of revelry (NOT music.)  Go elsewhere if you want to talk about your new phone.  Don't come at all if all you want to do is take pictures of yourself doing shots.

The show is on stage folks and NO ONE wants to hear you.  We certainly did not pay to hear you!!  Keep quiet or move on.  The audience deserves that at the very least.  The way you can show your apathy and dissatisfaction with the artist is by not paying, not showing up.

This way we all win.










 Notable Tracks:

"This Isn't Everything You Are"

"Hands Open"  Their rousing opening track last night.

"In the End"

"Run"  The song that started it all for these lads.  Hard to believe folks out there might not like this.  A pop rock masterpiece.







Friday, April 13, 2012

White Rabbits, Webster Hall, NYC.

You cannot discount the element of luck when speaking of a bands success, or lack thereof.  And that is speaking commercially, not critically.  All bands crave critical acclaim, and in most cases that praise can lead to record/concert sales.   New York(via Missouri) rockers White Rabbits (Stephen Patterson-vocals/piano, Alexander Even-guitars/vocals, Matthew Clark-drums/percussion, Jamie Levinson-drums, Gregory Roberts-vocals/guitar, Rustine Bragaw-bass) have their fair share of positive press.  But fresh off their third albums release, Milk Famous, can this be the year they break through?  

Hell, Arcade Fire won a Best Everything Grammy a mere two years ago.  How did that happen if not for some luck.  An aggressive PR agent maybe?  A and R man who wouldn't quit.  

What do the Black Keys have White Rabbits don't?  More humor?  Confidence?  Better representation?  

Luck??  

It is not a bigger sound.  It is not a bolder and more confident stage presence.  It is not a more concise and polished set.  No sir, White Rabbits have an aggressive, energetic and down-right fun hour plus set that was in full display last night at their native city's Webster Hall.  It need not apologize for lacking the record sales or larger venues those other bands can boast.  

Let's call it right place, wrong time.  If last night was any indicator these fellas are on the brink of stardom.  

They leaned heavily on Milk Famous and the results were seamless and successful.  The moody "Heavy Metal" opened the set.  For their first release it is a nice way to start, but far from the best work on this record,  A few songs later the piano heavy "I'm Not Me" showcased strong melody and sheer exhuberance.  There is an ELO thing going on here and it sure can bring a smile to your face.  And let's not forget the toe tapping...  or here, clapping.  

They dipped into their debut record, 2007's Fort Nightly, and blitzed through "While We Go Dancing."  

"There's Something That You Want to Say/I'm Not Asking/Just Sleep You're Nights Away/While We Go Dancing" are not just lyrics, but commands.  Six pieces working on all cylinders.  Vocals, guitar, bass, piano, and the drums...  the drums...  the drums.

Never are those drums more on display than with their hit, Percussion Gun,  from 2009's It's Frightening.  Beautiful tribal beats fill the air as the band slowly kicks in...  then out...  then in again.  

Immediately after a spirited version of "The Plot" they sequed into their gothic "Lionesse."  It played like a mix of Danny Elfman and The Band, circa 1975.  More toe tapping goodness.

The boys were confident enough to incorporate new material into their encores too, leading off with "Danny Come Inside."  Their long guitar-heavy intro popped and would surely make Bradford Cox smile.  Someone in Hollywood needs to add this song to a chase scene and fast.  If "Percussion Gun" is their drum calling card "Danny Come Inside" is their electric bass/guitar signature.  

Finally they slowed down "Kid on My Shoulders" to the point of unrecognizable.  A groovy bass line and hints of a Brian DePalma score gave new freshness to an already fresh song.  All good.  All confident.  All in. 

 No wasted moments.  Little, to any banter with the reserved, but admiring crowd.  A quality rock and roll outfit who should be playing larger arenas, and fast.

Meatloaf at Wellmont?  Sinead?  

If those folks can get three thousand there is no reason White Rabbits can't.   

The luck has got to change.  With their talent that is the only logical explanation.  Take heed Alt World, and beyond.






















White Rabbits Setlist, Webster Hall, NYC 4.12.12

"I'm Not Me"

"While We Go Dancing"

"Temporary" from Letterman 4.1.12

"The Plot"

"Danny Come Inside" from Kimmel  Sometimes you just need to hear a song live before you get it.  Case in point.  Earth shaking bass and pitch perfect harmony and groove.  Rock and Roll Exhibit A.  Note:  Jimmy Kimmel may have the lamest crowd for this song.  Wake up kids!!??!!